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Jonathan Rosenbaum

Autor(a) de Midnight Movies

24+ Works 846 Membros 9 Reviews 7 Favorited

About the Author

Jonathan Rosenbaum was the film critic for the Chicago Reader from 1987 to 2008. He is the coauthor of Abbas Kiarostami, Expanded Second Edition and the author of Cinematic Encounters: Interviews and Dialogues and Goodbye Cinema, Hello Cinephilia. He archives his work at jonathanrosenbaum.net.

Includes the name: Jonatan Rosnbaum

Image credit: Image credit: Andrea Bauer

Séries

Obras de Jonathan Rosenbaum

Associated Works

This Is Orson Welles (1992) — Editor, algumas edições290 cópias, 2 resenhas

Etiquetado

Conhecimento Comum

Data de nascimento
1943-02-27
Sexo
male
Nacionalidade
USA
Educação
The Putney School
Bard College
Ocupação
film critic
essayist

Membros

Resenhas

Links the background of The Rocky Horror Picture Show with other counterculture genre including horror and the Punk Music movement. Index and Bibliography. Texts referred to as "hippie" are The Lord of the Rings, Stranger in a Strange Land, Steppenwolf, and The Teachings of Don Juan. B&W photos.
 
Marcado
sacredheart25 | Jun 9, 2019 |
Jim Jarmusch's Dead Man sat on the top of then Chicago Reader critic Jonathan Rosenbaum's list of best films in 1996. According to Rosenbaum, his long review of the "acid western" grew into a book that was published in 2000 as part of the British Film Institute's great "film classics" series. Rosenbaum, now retired, devoted more ink to reviews than any of his peers, making him one of my favorite film critics, since he was able to explain in depth his assertions about films, not just give an opinion without backing it up. A book-length critique of a film, then, yields that many more insights, even if the book is only a slim 96 pages (what I see as a good length for one film, just like the 33-1/3 series devoted to important albums). Dead Man, like other Jarmusch films, requires some patience, the ability to absorb images that are lingered upon. Rosenbaum's book helps those who may lack the patience or who may have been puzzled by the film when it came out. But even for fans of the film, Rosenbaum gives plenty to ponder, much of it coming from his mind but also from interviews with Jarmusch.… (mais)
 
Marcado
archidose | Feb 7, 2015 |
political and movie scene links between film and political focusing on political statements of modern film from Hollywood blockbusters also film studies collections film criticism labored by social analysis how “the other” is constructed: politically, aesthetically, ethically to push a political agenda and sway perspectives.

In philosophical, theological, or moral discussions, corruption is spiritual or moral impurity or deviation from an ideal

Government, or 'political', corruption occurs when an office-holder or other governmental employee acts in an official capacity for personal gain.… (mais)
 
Marcado
tonynetone | 1 outra resenha | Sep 5, 2014 |
Essential to a structured understanding of film criticism and collector culture as this century deepens, addressing with broad clarity issues that should've been tackled as early as the mid-90s, before everyone got all down in the dumps about the state of modern film consumption, criticism and community. To all KGers, CGers, PTPers, cinephiles at large: ignore Rosenbaum, heir apparent to Daney and Bazin, to your own deficiency.
 
Marcado
O_Hozomeen | Jul 24, 2014 |

Prêmios

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Estatísticas

Obras
24
Also by
1
Membros
846
Popularidade
#30,227
Avaliação
4.1
Resenhas
9
ISBNs
60
Idiomas
6
Favorito
7

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