Picture of author.

Tamara Talbot Rice (1904–1993)

Autor(a) de A Concise History of Russian Art

14+ Works 555 Membros 9 Reviews

About the Author

Image credit: Tamara Talbot Rice. (Scanned from the dust jacket of Ancient Arts of Central Asia)

Obras de Tamara Talbot Rice

Associated Works

Etiquetado

Conhecimento Comum

Nome padrão
Rice, Tamara Talbot
Nome de batismo
Talbot Rice, Tamara Abelson
Data de nascimento
1904-06-19
Data de falecimento
1993-09-24
Local de enterro
Churchyard of St Andrew's, Coln Rogers, Gloucestershire, England, UK
Sexo
female
Nacionalidade
Russian Empire (birth)
UK
Local de nascimento
St. Petersburg, Russia
Local de falecimento
Bourton-on-the-Water, Gloucestershire, England, UK
Locais de residência
St. Petersburg, Russia
Oxford, Oxfordshire, England, UK
Paris, France
Educação
Oxford University (St. Hugh's College)
Cheltenham Ladies College
Ocupação
ISNI 0000 0001 0929 0612
Relacionamentos
Rice, David Talbot (husband)
Tolstoy, Leo (godfather)
Waugh, Evelyn (friend)
Acton, Harold (friend)
Pequena biografia
Tamara Talbot Rice was born Elena Abelson in St. Petersburg, Russia. Her father Israel Boris Abelevich Abelson was a wealthy businessman and member of the Tsar's financial administration. Leo Tolstoy, a family friend, was her godfather. She had a privileged childhood in St. Petersburg, where she attended the elite Tagantzeva Girls' School, until the Russian Revolution of 1917 caused her family to flee the country. They settled in London and Paris. She attended Cheltenham Ladies' College and then Oxford University, where she was a member of the circle of friends that included Evelyn Waugh, Harold Acton, and David Talbot Rice, her future husband. She left Oxford without a degree and worked at various jobs, including as a film extra, journalist, and researcher. In 1927, she married Talbot Rice, an archaeologist, and spent years traveling with him to Greece, Yugoslavia, Bulgaria, Georgia, Persia, and Turkey on his excavations. She and her husband co-wrote the book The Icons of Cyprus, published in 1937. During World War II, she worked in the Ministry of Information's Turkish division. After the war, she became a distinguished scholar of Russian and Byzantine art and art historian, and wrote The Scythians (1957), The Seljuks in Asia Minor (1961), and Everyday Life in Byzantium (1967), among others. Her final book was the biography Elizabeth Petrovna, Empress of Russia (1970). After her death, her memoirs were published by her daughter Elizabeth Talbot Rice as Tamara: Memoirs of St. Petersburg, Paris, Oxford and Byzantium (1996).

Membros

Resenhas

This was a very interesting look at the life of the forerunner of Catherine the Great. Empress Elizabeth was the daughter of Peter the Great. Her mother, Catherine I, also ruled Russia in her own right. However, Elizabeth came to the throne vastly unprepared for the task set before her. She was sorely lacking in book knowledge, yet she didn't hesitate to provide opportunities for her subjects to advance their education.

The book makes the case that had their been no Elizabeth, there could have been no Catherine the Great. Catherine modeled a lot of her reign and some of her behavior on her predecessor. The book delves into the impact Elizabeth made on the arts. This can become a little dry. I wish that an author will be able to write a more up to date biography of this seemingly little known Empress of Russia.… (mais)
½
 
Marcado
briandrewz | 1 outra resenha | Jun 23, 2022 |
Llegit en anglés amb una certa dificultat, m'ha instruit abastament per conèixer aquest grup ¨The Scyntihans¨ i entendre millor d'on sorgia geogràficament aquest grup i les seves maneres de imposar-se.
Molt interessant.
 
Marcado
mgaspa | 1 outra resenha | May 21, 2020 |
I keep dipping in and out of this book, which I've owned for 40 years, whenever I want to review Central Asian art history. It takes a very complex subject and manages in 250 pages to make it a coherent whole despite the periods when there simply are 'gaps' that we still haven't been able to fill in. Since the book was published (in 1965), there's been many more archaeological finds, but there has also been an equal amount of archaeological 'damage' in these regions. It's difficult to read about the great Buddhas of Bamiyan, for example, in the author's present-tense voice and not be angry. Or to read for that matter about many other Afghanistan and Pakistan (Bactria and the Hindu Kush) locations mentioned, to know that they probably also no longer exist. On the other hand, I have been to ancient 'Chorasmia' (today's Turkmenistan) and the Ordos and 'Kashgaria' (The Tarim Basin region), and my visits have been all the richer for having read this book beforehand. I will doubtlessly be re-reading this book the rest of my life for each time I read it, I'm trying to fill in different parts of the puzzle of Central Asian art.

The book's shortfall is the use of outdated spellings and transcription systems. If you haven't grown up with Wade-Giles or Sanskrit, be prepared to puzzle over Ho Ch'up'ing (in Pinyin, Huo Qubing) and Tch'ang-ugen (Ch'ang-an, or modern Xi'an).

This volume is also best read with a historical atlas at one's side, unless you already know where Keriya, Endere, Begram, Saripul, Damghan, Balasagun and Tepe Maredjan are located because to read this volume without following the geographical identifiers would be a waste of your time. It's the geography and the cultures that count with Central Asian art, as the author warns us in the Introduction "the political conditions which developed in various sections of the vast area dealt with in this volume were often so fluid and complex that, for reasons both of brevity and clarity, it has seemed best to deal with the artistic schools peculiar to each region on a geographical rather than a chronological basis" (p. 10). And therein lies the value of this volume...together with scholar Talbot Rice's constant reminders to 'look back', to see the links, the influences, and to want to continue the search for the missing links.
… (mais)
 
Marcado
pbjwelch | Jul 25, 2017 |

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Estatísticas

Obras
14
Also by
2
Membros
555
Popularidade
#44,976
Avaliação
4.0
Resenhas
9
ISBNs
22
Idiomas
2

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