George Rabasa
Autor(a) de The Wonder Singer
About the Author
Writer George Rabasa hails from San Migel Allende, Mexico but later moved to Minnesota. His short fiction writing has appeared in both Stiller's Pond and 26 Minnesota writers. Rabasa has written Glass Houses, a collection of his short stories that received the Minnesota Book Award, and Floating mostrar mais Kingdom: A Novel. Rabasa has also received the Writer's Voice Capricorn Award for Excellence in Fiction. (Bowker Author Biography) mostrar menos
Obras de George Rabasa
Etiquetado
Conhecimento Comum
- Data de nascimento
- 1941-12-29
- Sexo
- male
- Nacionalidade
- USA
- Locais de residência
- Biddeford, Maine, USA (birth)
Mexico City, Mexico
Minneapolis, Minnesota, USA - Educação
- University of the Americas, Mexico City, Mexico (BA|1964)
- Ocupação
- writer
- Premiações
- Minnesota Book Award
Membros
Resenhas
Prêmios
Estatísticas
- Obras
- 5
- Membros
- 99
- Popularidade
- #191,538
- Avaliação
- 3.5
- Resenhas
- 27
- ISBNs
- 9
The book alternates between Lockwood's current struggles and Merce Casals's reminiscences, which leads to the first problem, in that apparently the author felt the need to help readers differentiate by writing Lockwood's portions in present tense. I freely admit that I am a snob about such things, however; if you feel that this would not bother you, by all means, read on.
The problem is that Merce Casals is perfect. Rabasa creates a figure who should be arrogant (she listens to nothing but her own famous arias), but comes across as humble, precocious, poetic, and wistful. She is every bit as changeable and charming and larger-than-life as one would expect a famous diva to be. However, this is sort of the problem with the book - Lockwood, who dominates most of the plot, can never live up to her presence. The portions of Casals recollecting the Spanish Civil War, and later, her complicated love for one man she grows to despise as much as she loves, are far more interesting than the somewhat pathetic figure Lockwood cuts.
Interspersed with the dreamy, amused narrative of the diva, we have Lockwood's own cringe-worthy attempts at seducing a woman who is not his wife, disturbing ramblings when attempting to talk with his wife, and ignominious moments such as when a dog gets familiar with his leg at a bar. The ending never really shows that Lockwood has learned anything from Casals's life - instead, it takes another character to tell him what he should have garnered from so many intimate moments with his subject, recounting her beautiful life.
Finally, there are nominally three other important characters, but none seem to contribute anything meaningful and are gone almost as soon as they appear, with little fanfare as they leave.
All in all, it would have been more satisfying to have read a more in-depth fictional account of Casals's life and left poor Lockwood out of it entirely.… (mais)