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Joyce Maynard

Autor(a) de Labor Day

26+ Works 4,441 Membros 303 Reviews 5 Favorited
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About the Author

Joyce Maynard was born on November 5, 1953. She first came to national attention in 1973 with the publication of her New York Times cover story An Eighteen-Year-Old Looks Back on Life, which she wrote while a freshman at Yale University. Since then, she has been a reporter and columnist for The New mostrar mais York Times, a syndicated newspaper columnist, and a regular contributor to NPR. Her writing have also been published in numerous magazines including O, The Oprah Magazine; Newsweek; The New York Times Magazine; Forbes; Salon; San Francisco Magazine; and USA Weekly. She has written both fiction and nonfiction works including The Usual Rules, The Cloud Chamber, Internal Combustion, After Her, and her memoirs Looking Back and At Home in the World. Maynard's memoirs include details about her relationship with J. D. Salinger when she was 18 years old and attending Yale University. To Die For was adapted into a movie starring Nicole Kidman, Matt Dillon and Joaquin Phoenix and Labor Day was adapted into a movie starring Kate Winslet and Josh Brolin. (Bowker Author Biography) mostrar menos

Inclui os nomes: Joyce Maynard, Joyce Maynard

Obras de Joyce Maynard

Labor Day (2009) 1,165 cópias
The Good Daughters (2010) 694 cópias
After Her (2013) 421 cópias
At Home in the World: A Memoir (1998) 418 cópias
The Usual Rules (2003) 307 cópias
Under the Influence (2016) 270 cópias
Count the Ways (2021) 215 cópias
To Die For (1992) 192 cópias
The Best of Us: A Memoir (2017) 132 cópias
The Cloud Chamber (2005) 103 cópias
The Bird Hotel (2023) 99 cópias
Where Love Goes (1993) 89 cópias
Baby Love (1981) 87 cópias

Associated Works

The Moth (2013) — Contribuinte — 296 cópias
Knitting Yarns: Writers on Knitting (2013) — Contribuinte — 270 cópias
My Little Red Book (2009) — Contribuinte — 164 cópias
It Occurs to Me That I Am America: New Stories and Art (2018) — Contribuinte — 75 cópias
To Die For [1995 film] (1995) — Original Author — 72 cópias
Bad Girls: 26 Writers Misbehave (2007) — Contribuinte — 64 cópias
Half/Life: Jew-ish Tales from Interfaith Homes (2006) — Contribuinte — 50 cópias
It's a Girl: Women Writers on Raising Daughters (2006) — Contribuinte — 37 cópias
Labor Day [2013 film] (2014) — Original Author — 21 cópias
Because I Love Her (2009) — Contribuinte — 14 cópias

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An Author Interview with Joyce Maynard em Talk about LibraryThing (Junho 5)

Resenhas

Suzanne Maretto, the main character of Joyce Maynard's To Die For, desperately wants to be famous. She wants nothing more in life than to be a national news anchor, and she pursues that goal with relentless determination. Not even just like Jim Harbaugh levels of determination. Attacking each day with an enthusiasm unknown to mankind isn't enough. She will do whatever it takes. If that means taking out her good-natured husband because he has the gall to want to start a family, well, that's what it means. She begins an affair with an underprivileged, not especially bright high school student and convinces him and his friends to carry out the hit.

The story is told in a multiple-narrator format. We don't know at the beginning that this is the story of a murder, just that something big must have happened. Chapters are told from the viewpoints of Suzanne's parents, her teenage lover, his friends, her husband's parents and friends, and even Suzanne herself (among others). Slowly, the story emerges: the affair, the murder, the arrests, the aftermath. It's well-written, with several very different perspectives that each maintain their own voice (her parents both think she's the bee's knees, but the tone of each parent varies from the other) and so engaging that you keep thinking "just one more chapter" (they're all short) and before you know it you've gobbled through half the book.

I remember seeing the movie treatment of this book several years ago, and enjoying both the sharp satire and the strong performances (Nicole Kidman as Suzanne and Joaquin Phoenix as her young boyfriend were both particularly good). Both the book and the movie depict that rare beast: the sociopathic female. It seems that career ambition is the new social climbing for ladies with anti-social personality disorder. While Scarlett O'Hara and Becky Sharp schemed to land themselves wealthy husbands, Suzanne Maretto and her obvious counterpart, Tracy Flick, maneuver to achieve professional goals. This makes me a little uncomfortable, honestly. I don't think you need to look further than the discourse that has surrounded Hillary Clinton during her time in public office to see that a woman who is too obviously interested in power is treated as some sort of freakish anomaly. I'm in my second traditionally male profession (the law, now lobbying) and the double standards at work are very real and very persistent.
… (mais)
 
Marcado
ghneumann | 1 outra resenha | Jun 14, 2024 |
How the Light Gets In by Joyce Maynard is a recommended literary domestic drama and a sequel to her 2021 novel Count the Ways. This character driven novel returns to the story of Eleanor and her family through fifteen years (2010 to 2024). Fifty-four-year-old Eleanor has moved from Brookline back to the New Hampshire family farm to care for their brain-injured son, Toby, now an adult. This continuation of the original story and documents Eleanor's relationship with her family and her struggles with the societal changes around her.

As expected the writing is excellent, the characters are fully realized, and the complex story of a family is presented. I loved Count the Ways and was looking forward to revisiting Eleanor and the music she is listening to as events unfold. Alas, I didn't enjoy How the Light Gets In as much as Count the Ways. There was too much reiterating of past events at the beginning of the novel. This is a plus if you didn't read Count the Ways or if are many years between reading the two novels and you need a reminder of what happened previously. It becomes a negative to spend so much time covering past events for a novel just published in 2021. The second negative was the insertion of every recent divisive political or societal event that has recently occurred. I have cautioned more than one author recently to keep their personal views and editorializing on contemporary social/political topics to themselves and out of books as it diminishes the novel. Thanks to William Morrow for providing me with an advance reader's copy via NetGalley. My review is voluntary and expresses my honest opinion.
http://www.shetreadssoftly.com/2024/06/how-light-gets-in.html
… (mais)
 
Marcado
SheTreadsSoftly | Jun 12, 2024 |
When Eleanor was just a teenager, her parents, always kind of distant with her, were killed in an automobile accident. Though they were not close, her life was upended. While living at the home of an acquaintance/friend, Patty, so she could finish school, Patty’s brother Mathew, who only cared about money and drink according to Patty, took advantage of Eleanor, a 16-year-old who was confused and weak at the time. She dreamed of revenge against him, and years later, when he remade himself into a right-wing patriotic politician against abortion, transgenders, and the LGBTQ+ world, she had her opportunity. She knew him when he tried, among other things, to get out of Vietnam and took a girl for an abortion. She punished him with a “me too” moment. Did this prove no good deed of the family went unpunished? Was it vengeance or justice?
She eventually went off on her own but left college after a couple of years. She was an artist and a creator of stories. When her first submissions were published, one about an orphan named Bodie, she left her education behind and bought a farm in a quiet place where she could work on her drawing and find peace. That home became her center of gravity. She loved the property. She believed she would live and die there. She bought a dog and named him Charlie. He was chasing a deer and was shot by a hunter. A policeman with a brusque demeanor brought his body home to her.
Then Eleanor met the handsome, red-headed Cameron. He made beautiful wooden bowls and read poetry to her, specifically, Browning's “How do I love thee”, she married and settled down with him. He seemed like a warm, gentle giant of a man. Soon they had a family. Eleanor believed she had found nirvana. Her three children, Alison, Ursula and Toby were her life. Ursula was the peacemaker with hidden anger, Alison was a girl who decided at age 8, that she wanted to be called Al and felt more masculine. Web-footed Toby was the light of everyone’s life with his deep voice and serious remarks that often sounded like they should have come from someone far older.
Eleanor spent her days creating cartoons and wonderful pastimes for the children. They created cork people, boats they sailed in their pond, and a time capsule they buried under their beautiful ash tree. They ice skated in the winter and went to Cam’s baseball games in the spring where she met her first close friend, Darla. Darla was in an abusive marriage. When her husband Bobby got hold of a gun, life did not come to a good end.
Eleanor began to create a cartoon that was soon syndicated. It was about her family. Using her son Toby as the main character of the cartoon called Family Tree, to honor their ash tree, the very tree that later caused a disaster, she kept them fed. Cam continued to carve his beautiful bowls, but there was no mad rush to buy them. She was the major breadwinner and was occasionally resentful. Cam was not ambitious. He was a man who loved his life and his environment. He planted a garden and worked in his wood shop. On the surface, all of the characters’ lives were wonderfully simple. Everyone was down to earth, passionate and as happy as they could be. Eleanor had accomplished her dream and was truly content.
Then, there was an accident that changed all of their lives. Eleanor could no longer create her syndicated cartoon based on Toby, her precocious toddler. He was now brain injured. Eleanor’s temper often showed itself. She referred to it as “crazyland”. and would say things she would be sorry for later. In the past, life had been so good. She had created activities for the children, made home cooked meals and loved her husband. They were, for all the world to see, a very happy family, but now they grew apart.
Although he was still a good father, Cam and Eleanor no longer had a robust and passionate relationship. Eleanor blamed him for Toby’s accident and found it hard to forgive him. As the only breadwinner, since Cam now spent all of his time trying to help Toby improve with Yoga exercises, in order to make ends meet, Eleanor began writing and illustrating greeting cards as she had done before she became successful. She was content to seethe in her anger and live together, but Cam was not content. Then she discovered that he was cheating on her. He was unrepentant. They were divorced. Neither of them ever told the children who wanted the divorce. They vowed not to make the children blame either one of them.
Eleanor moved to Boston and left the children in the house with their father to keep their lives stable. Therefore, she was the one they ultimately blamed. Soon, she was finding solace in an affair with a younger man who had always “loved” her, Timmy Puliot. He catered to her, and with him she found some peace. Years before, as a small child, he had told her of his father’s suicide. She had understood, since both of her parents had died.
Coco was the 16-year-old teenager who was the babysitter. She kept the children’s lives and small world whole and intact. When Eleanor moved away she filled the gap. The kids had no idea about their father's other relationship. Did Cam ever tell them of his prior affair with Coco? Did the children ever understand the simple fact that Eleanor had moved to protect them? Time passed. Many tragedies unfolded.
Coco and Cam had children, one of whom, Elijah, asked to live with Eleanor for a while. As a teenager, he had quit school to pursue his fortune with his band that was growing in popularity. Eventually, he went to Europe to tour. Soon, however, there was another divorce and then a terrible accident involving a drunk truck driver, and Timmy and Coco who were riding together on his motorcycle. Why was Coco with Eleanor’s Timmy? How did Elijah handle this this traumatic event?
Moving on, when Al went off to school, she said she would not be returning. After years, however, Eleanor received a wedding invitation and returned to the home at the farm for the wedding. The wedding service, in both English and Spanish, had an assortment of guests who were described by the author. On that day, another truly unexpected tragedy unfolded during a thunderstorm. Oddly, everyone was able to ignore the devastation as they proceeded to enjoy the wedding food and festivities. The ash tree and the house were no longer. Did it foreshadow a different future for all of them? Could they finally let go of the past?
Eleanor noticed that Cam had grown older and was not well. She felt true affection and compassion for him and was finally ready to forgive him, but could she? Could he relate to her? How would they all go forward? All their lives were in the throes of change.
The book is about shame, blame, guilt, irresponsibility, immaturity, anger management, devotion, infidelity, forgiveness and loyalty, motherhood and the environment and every other social issue on G-d’s earth. There are so many characters and themes, but they all merge together well and are well developed. The story is placed in the present and the past, going from things like the Vietnam war to baseball’s Carl Yastrzremski, to Princess Di’s death to John Lennon’s assassination, to the Challenger explosion. When I read the final word of the novel, I thought that the author had inserted every progressive theme possible into this book, but I enjoyed the novel, even when at times it felt like some of the scenes were contrived to subtly present a political position.
The timeline and the thread of the story were occasionally confused, but the story kept moving forward, even as it went backward. Sometimes it even felt repetitive. However, the once perfect family is exposed perfectly with its many dysfunctions that all families are heir to. Tragedy after tragedy occurs. In the end, could the destruction of property lead to the construction of a new path forward? I expect the sequel to this book will explain all the misunderstandings and unanswered questions that were raised by this one.
… (mais)
 
Marcado
thewanderingjew | outras 30 resenhas | May 4, 2024 |
The movie based on this book was partially filmed in my town. Great book.
 
Marcado
Cathie_Dyer | outras 113 resenhas | Feb 29, 2024 |

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Estatísticas

Obras
26
Also by
14
Membros
4,441
Popularidade
#5,636
Avaliação
½ 3.7
Resenhas
303
ISBNs
210
Idiomas
10
Favorito
5

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