Edwin L. Marin (1899–1951)

A good story and a fine supporting cast surround George Raft in this easy-to-take RKO mystery. Based on Charles Gordon Booth's book, “Mr. Angel Comes Aboard” this was a perfect fit for Raft. Casting him as a ship's Captain in New Orleans investigating his father's abandoned vessel allowed his somewhat stoic acting style to mesh with the character. The atmosphere of the French Quarter and the lovely Signe Hasso keep things interesting for mystery fans, and photographer Harry S. Wild gives the film a nice look.

The S.S. Emeline is discovered afloat with no hands on board while on route back to New Orleans from Casablanca. Johnny Angel (George Raft) attempts to discover what happened, knowing his father, the Captain, would not have been involved in anything shady. He tracks down a female stowaway named Paulette (Signe Hasso), but she bolts before he can get a handle on what's going on. Songwriter Hoagy Carmichael had one of his colorful supporting turns as easygoing the cabbie, Celestial. He gets to sing “Memphis in June” while helping both Angel and Paulette; the latter when someone tries to do away with her.

Someone doesn’t want Angel to know what his father took aboard or what happened once he did. Once Paulette learns she can trust Johnny, things point a nightclub run by Sam Jewel (Lowell Gilmore). Enter Lilla (Claire Trevor), the wife of his boss, Gusty (Marvin Miller). She has the hots for Johnny and he plays along — for a while. A double cross and a momma’s boy at his breaking point make for a good climax to this nice mystery, while director Edwin L. Marin lets romance have the last word.

Signe Hasso was easy on the eyes and acquitted herself nicely in Johnny Angel. Raft is solid in a role well-suited to his acting style. Margaret Wycherly also does a nice job. Just enough action peppers this atmospheric mystery to merit it being an enjoyable-to-take film. The opening music by Leigh Harline is beautiful, and Roy Webb's score highlights the nice romantic subplot between Johnny and Paulette. Hoagy Carmichael’s pencil propeller will leave an impression and set this above many others in the cycle. A good one from RKO.… (mais)

Enjoyable backlot murder mystery that still seems pretty fresh--despite being made in 1932! Manners is a screenwriter who uses his amateur detective skills to help the police solve the case of a star murdered while the camera was rolling. Ames is alluring as the murder victim's ex-wife and the prime suspect. Lugosi, as the studio chief, is not in his element, but there are lots of other great supporting characters. Well worth a watch and doesn't drag--except when I start looking everyone up in IMDB to see how long they lived and how the rest of their careers went. There are definitely some interesting stories to be found, particularly for long-lived Manners and Ames, who died of lung cancer at 43.… (mais)

Marianne Jannetier, a well-to-do Parisian, engaged to Andre Benoit, a high-ranking government official, flees the city when the goose-stepping Nazi storm-troopers arrive. When her mother dies on the road to Bordeaux as a result of Nazi bombing, she returns to Paris and joins the underground movement. Nicholas Jordan, an American member of the RAF, stranded in Paris after the evacuation is also working with the Paris underground. Marianne kills her former fiancée, a pro-Nazi informant, for the traitorous state papers he is carrying, and she and Jordan try to flee over a French seaport… (fonte: imdb)… (mais)