Elizabeth Jane Howard (1923–2014)

I was gifted a bag of Cazalets some years ago, picking them up now after reading Laura's (Laurelkeet) enthusiasm for them.

A family saga with a bit of upstairs/downstairs to it in the early volumes at leadt.Kicking off in volume 1 in 1937 introducing all the family/personalities. Howard is wonderful at giving you a varied cast, and allowing you to like even the more difficult characters. And she gives a wonderful flavour of place.

Now I'm heading into WWII in Volume 2 [Marking Time].… (mais)

https://fromtheheartofeurope.eu/confusion-by-elizabeth-jane-howard/

Third in Elizabeth Jane Howard’s brilliant family saga of the Cazalets, set during the Second World War, with the young and middle-aged women who are the central characters falling in love and having plenty of (off-stage) sex, not always with the right people or the same people. I almost feel that we had 900 pages of set-up in the first two volumes, which then explodes into lots and lots of plot here, which is maybe a little unfair as the first two were hardly without incident. Howard’s own gruesome first marriage (to Peter Scott) is unsparingly mined for material, with two particularly memorable passages involving very small babies.

Along with the turbulent love lives of the various viewpoint figures, there are some gems of observation about women’s roles in the society of 1940s England, and a quietly devastating subplot about the Holocaust and the uncovering of the concentration camps. Howard is tremendous at showing a society on the verge of tremendous change – mostly of course from the viewpoint of the privileged, but you write about what you know. And again there is an unlooked-for twist at the end which has my appetite whetted for the fourth volume.

This is not a fast-paced series, but I’m hugely enjoying it.… (mais)

The Cazalets–patriarch, matriarch, three adult sons, their wives and children–traditionally spend their summers at their country house in Sussex. The Light Years opens in 1937, with the first part of the novel developing each of the characters as they enjoy an idyllic summer together: eldest son Hugh his devoted wife Sybil and their three children; second son Edward, his strong-willed wife Viola aka Villy, and their three children; and youngest son Rupert, his much younger wife Zoe, and their three children from Rupert’s previous marriage. Hugh and Edward make occasional trips to London for the family timber business, while Sybil and Villy capably manage household affairs while gossiping about Zoe. The cousins band together with those closest to their own age, with occasional drama and shifting loyalties. Most of this sounds too good to be true, and sure enough the second part of the novel, set in late 1938, exposes chinks in the family armor and some closely guarded secrets. The threat of war is palpable: Hitler is already laying groundwork for what we know is to come. The family engages both in denial, and preparations for living at their country house for the foreseeable future.

I love a good family saga, and this most certainly is one. Elizabeth Jane Howard puts her female characters at the center, often the source of real power in the family. At the same time, she shows the ways women are disadvantaged in society, through limited education (which continues with the female Cazalet children), to dependence on male wage earners and a complete lack of reproductive freedom. Also, the children are multi-dimensional, setting them up to play more significant roles in the ten years that play out in the remaining Cazalet Chronicles novels. I am really looking forward to continuing this series.… (mais)

https://fromtheheartofeurope.eu/marking-time-by-elizabeth-jane-howard/

Marking Time is the second of the series, set a year after the first, and concentrating very much on three teenage Cazalet girls, whose fathers are brothers. But it’s now war time – the book starts in September 1939 and ends with Pearl Harbour in December 1941, so it covers a long and crucial period of the girls’ lives; Louise, an aspiring actress, whose father is abusive; Clary, an aspiring writer, whose father goes missing after Dunkirk; and sensitive Polly, whose mother is very ill though nobody will admit it. Between the lines (and not only there) is a thoughtful reflection on the roles of women in English society of the time.

The cast of characters is huge – the family tree at the start lists eighteen living Cazalet relatives, and there are a half dozen more who get at least some viewpoint time – lovers, servants, in-laws. But Howard keeps them all under control, and although we know that parts of this are based on her own life, it doesn’t come across didactically. There is a minor twist at the end of the book which made me gasp, but in any case I would have been impatient for the next instalment; some very tempting plot lines have been set up. I’ll get to it soon enough!… (mais)