Anne Gray (1) (1947–)
Autor(a) de The Edwardians : secrets and desires
Para outros autores com o nome Anne Gray, veja a página de desambiguação.
Obras de Anne Gray
The Way We Were: 1940s-1950s, from the University of Western Australia art collection (1996) 2 cópias
George Lambert (1873-1930) catalogue raisonne : paintings and sculpture, drawings in public collections (1996) 1 exemplar(es)
Australian Kilnformed Glass 1 exemplar(es)
Petr Herel : an exhibition of artist books at the National Library of Australia, 22 March-30 June 1989 (1989) 1 exemplar(es)
Australian Journal of Art, Volume XI, 1993 1 exemplar(es)
Associated Works
Works from the Donald Friend collection including Bali and southeast Asia: the property of Attilio Guarracino,… — Contribuinte — 1 exemplar(es)
Etiquetado
Conhecimento Comum
- Data de nascimento
- 1947
- Sexo
- female
- Nacionalidade
- Australia
- Local de nascimento
- Perth, Western Australia, Australia
- Ocupação
- curator
- Organizações
- National Gallery of Australia
Membros
Resenhas
You May Also Like
Associated Authors
Estatísticas
- Obras
- 24
- Also by
- 4
- Membros
- 198
- Popularidade
- #110,929
- Avaliação
- 4.1
- Resenhas
- 1
- ISBNs
- 57
- Idiomas
- 4
Following the catalogue is a section: Constable and his times and a bibliography and index. There is also a 32 page section, strangely not listed on the contents page, headed Australia and Constable, which relates to an exhibition shown alongside the Constable exhibition showing the influence Constable had on Australian and New Zealand artists. This section includes 47 paintings from 13 artists shown in full colour.
The catalogue section of the book features 108 full-colour full-page plates of Constable's paintings, sketches and drawings. Each picture is accompanied by very accessible descriptive notes and occasionally further relevant images. In total there are around a further 150 images (including those in the section Australia and Constable), and as these appear in the various essays alongside the relevant text, there are occasionally repeats.
This is a splendid volume, well put together, and it has the advantage of showing many of Constable sketches in oils and occasionally pencil alongside some of his more finished works. Having seen the Constable exhibition at the Tate in the in the 1990s (if memory serves me correctly) many of the plates here remind me of how powerful some of his oil sketches are. While the plates in the catalogue section are invariably shown as large as the page will allow, the landscape format pictures by heir nature do not come off very well, occupying often less than half the page. This is nonetheless a superb collection containing a variety of Constable's landscapes, seascapes and quite remarkable cloudscapes.… (mais)