Picture of author.

Marion Milner (1900–1998)

Autor(a) de A Life of One's Own

8 Works 620 Membros 6 Reviews 1 Favorited

About the Author

Disambiguation Notice:

(eng) Joanna Field is the pseudonym of Marion Milner.

Obras de Marion Milner

Etiquetado

Conhecimento Comum

Nome padrão
Milner, Marion
Outros nomes
Fielding, Joanna
Blackett-Milner, Marion
Data de nascimento
1900-02-01
Data de falecimento
1998-05-29
Sexo
female
Nacionalidade
UK
Local de nascimento
London, England, UK
Locais de residência
London, England, UK
Educação
University of London (psychology)
Ocupação
Psychoanalyst
memoirist
diarist
educationalist
painter
Organizações
British Psychoanalytical Society
Pequena biografia
Marion Milner was born Nina Marion Blackett in London, England. Her brother Patrick Blackett grew up to be a Nobel Prize-winning physicist. She graduated with a first class honors degree in psychology from University College, London in 1924. In 1927, she married Dennis Milner, with whom she had a son. She kept an introspective daily journal that became the basis for a critically-acclaimed book called A Life of One's Own (1934), published under the pen name Joanna Field. Also under this pseudonym, she published An Experiment in Leisure (1937). In 1940, she started training as a psychoanalyst and went into practice in 1943, working with both children and adults. She became a prominent member of the Independent school of the British Psychoanalystical Society. Among her works on psychoanalysis, the best-known is The Hands of the Living God (1969). An enthusiastic painter herself, she wrote about the benefits of painting in On Not Being Able to Paint (1950).
Aviso de desambiguação
Joanna Field is the pseudonym of Marion Milner.

Membros

Resenhas

How to lead a meaningful life.
 
Marcado
PendleHillLibrary | outras 2 resenhas | Mar 14, 2023 |
On Not Being Able to Paint is divided into five sections, the first four all relating to Free Drawing. The fifth and final section is focused on painting. Words like "psychic creativity" and "moral education" are thrown around, which makes me think I'm in for the psychobabble ride reading of my life. I wasn't disappointed. There is a fair amount of deep psychology in On not Being Able to Paint. Even though the slim volume is less than 200 pages, it took me forever to read. In the end, I questioned if the obstacles which prevent one from painting are not the exact same "blocks" writers sometimes complain of experiencing when unable to write. Sure enough, Field is connecting free drawings with the self conscious.
As an aside, the first edition of On Not Being Able to Paint was written for educators. The second edition (my version) includes an appendix and Anna Freud's foreword. I appreciated that Field was able to recognize that emotional drawing is not completely devoid of influence and that she shouldn't be so fixated on depicting beauty for beauty's sake.
Confessional: I was a bit disappointed by Field's "art." The illustrations were childlike and well, for lack of a better word, weird. As Field explains, and I said earlier, they are "free drawings" that helped her connect to the self conscious. I hope she was successful.
… (mais)
 
Marcado
SeriousGrace | 1 outra resenha | Feb 8, 2020 |
I found this book an interesting and challenging psycho-analytic journey through one artist’s attempts to define and unlock her own creativity. The analysis side bordered on oversharing, I thought, but clearly the process of analysing her own ‘free-drawings’ was an important part of the overall experience that Milner went on through the course of her own experiment in creativity.
 
Marcado
AJBraithwaite | 1 outra resenha | Aug 14, 2017 |
Not as compelling as the first time I read it. That says more about me than about the book, though. I'm at a different place in my life, and not as able to relate as when I was younger.
 
Marcado
duende | outras 2 resenhas | Feb 6, 2014 |

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Estatísticas

Obras
8
Membros
620
Popularidade
#40,587
Avaliação
½ 3.7
Resenhas
6
ISBNs
50
Idiomas
5
Favorito
1

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