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Kate Elliott (1) (1958–)

Autor(a) de King's Dragon

Para outros autores com o nome Kate Elliott, veja a página de desambiguação.

72+ Works 16,974 Membros 423 Reviews 1 Favorited

About the Author

Image credit: Used by permission of Kate Elliot


Obras de Kate Elliott

King's Dragon (1997) 1,680 cópias
Prince of Dogs (1998) 1,232 cópias
Cold Magic (2010) 1,142 cópias
The Burning Stone (1999) 1,109 cópias
Spirit Gate (2007) 1,094 cópias
Child of Flame (2000) 970 cópias
The Golden Key (1996) 912 cópias
The Gathering Storm (2003) 832 cópias
Jaran (1992) — Autor — 797 cópias
In the Ruins (2005) 682 cópias
Crown of Stars (2006) 638 cópias
Cold Fire (2011) 545 cópias
Court of Fives (2015) 537 cópias
Shadow Gate (2008) 527 cópias
An Earthly Crown (1993) 439 cópias
Traitors' Gate (2009) 388 cópias
Unconquerable Sun (2020) 375 cópias
His Conquering Sword (1993) 371 cópias
Cold Steel (2013) 347 cópias
The Law of Becoming (1994) 318 cópias
Black Wolves (2015) 283 cópias
Poisoned Blade (2016) 228 cópias
A Passage of Stars (1990) 168 cópias
The Labyrinth Gate (1988) 163 cópias
The Keeper's Six (2023) 153 cópias
Servant Mage (2022) 152 cópias
Buried Heart (2017) 139 cópias
Revolution's Shore (1990) 122 cópias
The Price of Ransom (1990) 112 cópias
The Very Best of Kate Elliott (2015) 101 cópias
Furious Heaven (2023) 98 cópias
Night Flower (2015) 37 cópias
Bright Thrones (2017) 25 cópias
The Beatriceid (2015) 18 cópias
King's Dragon, Part 1 (1998) 10 cópias
The Golden Key, Part 1 of 3 (1997) 10 cópias
Prince of Dogs, Part 1 (1999) 9 cópias
The Golden Key, Part 3 of 3 (1995) 9 cópias
In the Ruins, Part 1 (2006) 8 cópias
King's Dragon, Part 2 (1999) 8 cópias
The Golden Key, Part 2 of 3 (1998) 8 cópias
The Gathering Storm, Part 1 (2005) 7 cópias
In the Ruins, Part 2 (2008) 7 cópias
The Burning Stone, Part 2 (2000) 6 cópias
Prince of Dogs, Part 2 (1972) 6 cópias
The Burning Stone, Part 1 (2000) 6 cópias
Child of Flame, Part 1 (2001) 5 cópias
Child of Flame, Part 2 (2000) 5 cópias
The Gathering Storm, Part 2 (2006) 5 cópias
The Dead Empire (2018) 2 cópias
Lady Chaos 2 cópias
Sunseeker (2002) 2 cópias
Mask 1 exemplar(es)

Associated Works

The Book of Swords (2017) — Contribuinte — 273 cópias
Science Fiction: DAW 30th Anniversary (2002) — Contribuinte — 262 cópias
Return to Avalon (1996) — Contribuinte — 248 cópias
The Book of Dragons: An Anthology (2020) — Contribuinte — 224 cópias
Epic: Legends of Fantasy (2012) — Contribuinte — 192 cópias
The Book of Magic: A Collection of Stories (2018) — Contribuinte — 170 cópias
The Shimmering Door (1997) — Contribuinte — 118 cópias
Fearsome Journeys (2013) — Contribuinte — 113 cópias
Enchanted Forests (1995) — Contribuinte — 113 cópias
A Fantasy Medley (2009) — Contribuinte, algumas edições108 cópias
The Best American Science Fiction and Fantasy 2021 (2021) — Contribuinte — 99 cópias
Weird Tales from Shakespeare (1994) — Contribuinte — 89 cópias
Some of the Best of Tor.com 2021 Edition (2022) — Contribuinte — 81 cópias
Rocket Fuel: Some of the Best From Tor.com Non-Fiction (2018) — Contribuinte — 80 cópias
Tarot Fantastic (1997) — Contribuinte — 73 cópias
Lost Worlds & Mythological Kingdoms (2022) — Contribuinte — 35 cópias
Zodiac Fantastic (1997) — Contribuinte — 34 cópias
DON'T TOUCH THAT!: A Sci-Fi and Fantasy Parenting Anthology (2022) — Contribuinte — 19 cópias
Apex Magazine 45 (February 2013) (2013) — Contribuinte — 3 cópias
Unexpected Journeys — Contribuinte — 1 exemplar(es)


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Conhecimento Comum



I'm sorry for giving a low rating to a well-written series like this. But I grew frustrated with it and after book 2 I decided not to continue.

Make no mistake, this series is very good in some senses. It is well-written, and Kate Elliott is a master worldbuilder. She bases her books on medieval Europe, which is a trick used by many fantasy writers to help them in their worldbuilding, but she uses that technique very well, making her secondary world strange and magical enough that this never feels like a historical novel. It's a complex and intriguing world, that always invited me to find out more about it.

The characters are also good. Not perhaps the best feature (that would be the worldbuilding) but interesting and perfectly serviceable.

So if the writing, the worldbuilding and the characters are good, then what's the problem? The problem is the storytelling. Mostly, the pacing. This series includes 7 very fat novels, and the payoff after reading one of these massive doorstoppers often feels slight. The plot advances at a slow pace, things do happen, but it does not feel like the overall plot moves much.

After two books I took a break, and when it was time to return to the series I found the prospect daunting. Since reading is supposed to be a pleasure, not to feel like a duty, I decided to let it go. It did not help that I couldn't find anywhere on the internet or at the start of the books themselves a good recap of the previous books so that I might refresh my memory before starting book three.

All in all, there are many worse things to read, but there are better things too. You can give it a try, you may well find that immersing yourself in this complex, fascinating world is a real pleasure for you, and that you do not mind the pacing. But it did not work completely for me. I'm always sorrowful when I don't complete an attractive story, but it was just too many pages, too many fat novels, for too little real advance of the story.
… (mais)
jcm790 | outras 17 resenhas | May 26, 2024 |
Too many long battle scenes. Too many unfamiliar terms. So many that it was hard to follow the story.
DidIReallyReadThat | outras 14 resenhas | May 3, 2024 |
This book was fine if you take into account the really outdated and 1990s attitudes towards gay people. I tried to read the rest because I had the omnibus edition, but the second book tried to explicitly tackle this in a cringey way that does not hold up in the year 2020 so I didn't finish it. The worldbuilding is interesting, the political intrigue is interesting. The love story is well-executed. I could do without the unnecessary love triangle because you know who Tessa is going to end up with it is obvious, but what are you going to do. Did it need to be as long as it was? Probably not, a good editor could probably cut it in half and it would lose nothing. It was well written enough that I was not completely bored and the timeline of this book is over the course of a year or two, which felt extremely fast. Am I peeved that the political intrigue didn't get wrapped up because it is a series? Yes. Am I peeved that Tessa didn't tell Bakhtian about the fact that aliens exist because she "thinks it will destroy him"? Yes. I feel like one book should be a complete story in itself, and I can't abide cliff-hangers. This book decided in the back half that it was really a love story all along, but I wouldn't describe this as being a romance. It is a space opera book with interesting worldbuilding, but I would say nothing that hasn't really been done before. Like if you read Shapechangers! by Jennifer Roberson it has the same vibe, but fantasy and ten years before there is a distinct "these are coded native americans" happening in these books.… (mais)
kittyfoyle | outras 31 resenhas | Apr 23, 2024 |
This book definitely reads as the first book of a trilogy. It is the first act, setting the stage for the other two. This also means it doesn't read well as a stand-alone novel. This isn't a bad thing, it just means it's difficult to judge the merit alone.

I enjoyed it, but I can see where others might not like it. You have a first-person narrative where the narrator is thrown into chaos not long after the book begins. There is a lot of questions to answer and not all of them are fully answered in this story and a lot of 'answers' that change as the story progresses because the heroine's knowledge changes. In some ways, this is good, leading to questioning the status quo. In someways, this is bad because it leaves the reader on shifting sands, but this also leaves the reader in the main character's shoes.

I really liked the world building, the changes that might have happened in Europe had the Roman Empire lasted longer (and there is some evidence that weather changes did cause the fall of the Roman Empire among other things) and how the intermixing of African and Celtic peoples happened. I liked how skin color was noted, but it wasn't a determining factor of someone's worth, just something that contributed to an understanding of their heritage. It was fascinating that people clung to things that happened thousands of years prior to the beginning of the story as tightly as they clung to things that were only thirteen years past and that both histories were used to justify actions that might be considered unethical on their own merit.

The romantic elements of the book seem to cover both the awkward and Stockholm arenas of improbability. The 'hero's' approaches are very much in the awkward realm of life and the heroine's responses seem to be a result of either magic or enforced proximity. The next two books will determine more what is actually going on. In many ways, I'm glad that their interactions did not progress past a kiss—it would have been far to weird in the story. I'm not even sure that the hero's feelings are the result of genuine feelings or a result of rebellion against the House he's beholden to.

I look forward to reading the rest of this series.
… (mais)
hColleenS | outras 72 resenhas | Mar 28, 2024 |



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