Graham Edwards (1) (1965–)

I received a free copy of this book via Netgalley, in exchange for an unbiased review.

Straight off the bat: I LOVE the world-building for this book. As a writer myself, world-building is an area of weakness for me, and I always get a little bit excited to see someone nailing that aspect of writing. If you are a world-building junkie, there is a lot to like, and the sheer scope of ambition is impressive. The science that underpins the setting is a good blend of fantastical, fresh, and believable, blending new and familiar elements alike (eg, dimension hopping and a lot of Greek myth). I also enjoyed the voice of the MC, having a fondness for noir (and it is VERY noir in atmosphere, despite the unusual setting.)


The MC is an intriguing character, and because I don't want to get into spoilers I'll avoid giving too many specifics here, but suffice to say he's had a rather colourful life and is in possession of a varied skill set.

However--and this is where my review strays into the realm of the subjective--he verges into being coy, at times. Zephyr, one of two sidekicks throughout the novel, has this to say about the MC:

"Talking to you is like peeling an onion. Every time I think I'm getting somewhere, it turns out to be just another layer."

...And that's often how I felt as well. The MC's past and history start out as a mystery, and usually unveiled in moments of crisis. For example (no spoilers), MC finds himself in a jam--so we dip into a flashback about the time he did X Y Z, which gave him X item or Y skill, which he then promptly utilises.

The reveals were funny/engaging, and well done. But too many of them began to feel like, the MC would always escape every impossible situation even if we as the reader could not see the way out, because he simply had an endless well of past experiences and items to draw on. Every time I thought I knew the limit of the MC's options, he would pull out something fresh, so I began to assume he would *always* do this, for every encounter.

I hope this makes sense, I feel I am not explaining very well! Either way, it's not a huge issue, and is very subjective as I said, but *for me* this meant some the tension didn't run as high as it might have done.

Overall I really enjoyed the book, though, and would certainly recommend it when it's out on shelves. Intrigued to see any sequels and what else the author does with the setting.… (mais)

Pros: intricate mystery, interesting characters

Cons: slow opening, characters never seem to sleep

Talus, a widely travelled bard, and his companion, Bran, a former fisherman, arrive at a Northern island the day after their king has died. A quick examination of the body reveals that the king was murdered, and Talus offers to help find the killer.

Talus is basically a neolithic age Sherlock Holmes. He examines the evidence and observes the world closely to see what others miss. And while he doesn’t use much in the way of scientific deduction, he is highly observant and has a personality that alternates between charming (when he’s telling a story) and abrasive (when he’s exhorting Bran to pay attention and see what’s happening around him). Also like Sherlock, he’s not very good when it comes to relationship matters, and so tends to miss some of the human clues that crop up.

Which is where Bran comes in. Bran is hot tempered and still grieving the loss of his wife and the use of his right hand, which was seriously injured the day she died. He misses a lot of subtle clues but prompts Talus with regards to some of the more human elements of the case.

There are two strong women from the isles who have fairly prominent roles, while maintaining historical deference to the men around them.

The mystery is complex and while it takes a while for the more intricate details to come up, by the end of the book there’s quite a knot of intrigue to untangle.

This is historical fiction and the only fantasy style elements - if you can call them that - are the character’s beliefs in various gods and a judgement style afterlife.

My only complaint with the book is that the action takes place within a few days and the protagonists are constantly on the move. Even after Bran exclaims his exhaustion he and Talus never seem to actually sleep, as they deal with one crisis after another.

The book is fairly slow moving, focusing as much on character as on the mystery. If you like historical fiction and/or interesting mysteries, give this book a try.… (mais)