Joe Earle (1)

“This catalogue celebrates an exhibition of ceramics by four members of the Kondō family, drawn from the holdings of American collectors Carol and Jeffrey Horvitz. Spanning a century of creativity, Transcendent Clay offers a panorama of the family’es acievements, from a group of perfectly formed vases with sprightly painted decoration to a half-collapsed outsize jar that interrogrates the future trajectory of clay as an artistic medium.

Most of the catalogue is devoted to Kondō Takahiro, living representative of the Kondō lineage. Hand-formed, slab-built, molded, carved, marbleized, or cast from porcelain, other clays, or even glass, his work bears witness to an unwavering commitment to personal, technical, and artistic development; a tireless exploration of the concept of ‘water born of fire’ and the aesthetics of impermanence; and a deeply felt response to natural and man-made disasters and other pressing issues of shared global concern.”… (mais)

As the soul fo the samurai, the sord is famously both the symbol and the instrument of Japanese military prowess. Less known, at least in the west, is its role as a fashion accessory or status symbol. And more than the weapon itself, it was the swordd's metal fittings that reflected the complexities of the samurai life, from codes of honor to flamboyant leisure-and that remain among the most sophisticated and accomplished metal work ever created.

Lethal Elegance presents 150 of these remarkable sword fittings, and is one of the few books in a western language to focus on their styles and techniques. It discusses the visual effects achieved with different alloys, the evolution of fittings following changes in warfare, the symbolism of motifs, and standards for connoisseurship. Nearly all these fittings were once owned by trained swordsmen, and the weapons they ornamented could surely inflict fatal wounds. But their extraordinary variety and beauty also reveal them as wonders of self-expression and personal style.

Joe Earle is Chair of the Department of Art of Asia, Oceania, and Africa at the Museum of Fine Arts, Boston. Formerly Keeper of the Far Eastern Department at London's Victoria and Albert Museum from 1983 to 1987, he was responsible for the creation there of the Toshiba Gallery of Japanese Art. He has curated many exhibitons in Great Britain and the United States, among them 'Japan Style' (1980), 'Visions of Japan' (1991), and 'Splendors of Meiji' (1999). He has also written, edited, and translated many books on Japanese art and culture, including Netsuke: Fantasy and Reality in Japanese Miniature Sculpture, The Japanese Sword, Japanese Art and Design, Flower Bronzes of Japan, Flowers of the Chisel, The Robert S. Huthart Collection of Netsuke, Infinite Spaces: The Art and Wisdom of the Japanese Garden, Japanese Lacquer: The Chiddingstone Castle Collection, and The Robert S. Huthart Collection of Iwami Netsuke.

Contents

Director's foreword
Introduction Function and display: Japanese swrd fittings from the fifteenth to the nineteenth century by Joe Earle
Note to the reader
Uchigatana mounting with floral designs
Iron tsuba from the fifteenth to the nineteenth century
Decoration in the goto style
The machibori tradition
New materials and techniques
Later machibori artists
Masters of the meiji era
Notes
Glossary
Bibliography
Map
Japanese signatures
Figural illustrations
Acknowledments
Index… (mais)