Picture of author.

Mona Caird (1854–1932)

Autor(a) de The Daughters of Danaus

9 Works 61 Membros 2 Reviews

About the Author

Includes the name: Alice Mona Caird

Image credit: Portrait painting of Mona Caird in young adulthood, mid to late 1880s, reproduced by Jim Moran with permission of Mrs Huguette Henryson-Caird.

Obras de Mona Caird

Etiquetado

Conhecimento Comum

Nome padrão
Caird, Mona
Nome de batismo
Caird, Alice Mona Henryson
Outros nomes
Alison, Mona (birth name)
Data de nascimento
1854
Data de falecimento
1932-02-04
Sexo
female
Nacionalidade
UK
Local de nascimento
Isle of Wight, England, UK
Local de falecimento
Hampstead, London, England, UK
Locais de residência
London, England, UK
Ocupação
women's rights activist
suffragist
novelist
essayist
short story writer
travel writer (mostrar todas 7)
historiographer
Organizações
National Society for Women's Suffrage
Women's Franchise League
Theosophical Society
Pequena biografia
Mona Caird was born Alice Mona Alison in Ryde, a town on the British Isle of Wight, to a Scottish-German family. She began writing stories and plays in early childhood and was proficient in French and German.

In 1877, she married James Alexander Henryson-Caird, eight years her senior, a gentleman farmer with whom she had one son. He was supportive of her independence and lived at his homes in Scotland and Hampshire while she spent much of her time in London and travelling abroad. She participated in literary circles that included Thomas Hardy, and was active in the women's suffrage movement. She published her first two novels, Whom Nature Leadeth (1883) and One That Wins (1887), under the pseudonym G. Noel Hatton, but subsequent works were published under her own name. She rose rapidly to fame in 1888, after the Westminster Review printed her essay entitled "Marriage," and it became the focus of heated debate in the Daily Telegraph that drew a reported 27,000 letters from around the world. Mona Caird had called the institution of marriage a "vexatious failure," and advocated equality and autonomy for marriage partners. She continued to write essays on this radical idea and other women's issues that were collected into a volume called The Morality of Marriage and Other Essays on the Status and Destiny of Women (1897).

She also wrote fiction, much of which also focused on women's issues, then called the "New Woman" or "Modern Woman" type novel. Her most famous novel, The Daughters of Danaus (1894), became a feminist classic, as did her short story "The Yellow Drawing-Room" (1892). She was a member of the National Society for Women's Suffrage, the Women's Franchise League, the Women's Emancipation Union (WEU), and the London Society for Women's Suffrage, and participated in the Women’s Sunday march in Hyde Park in 1908 with 250,000 people. Among her later writings were an illustrated volume of travel essays, Romantic Cities of Provence (1906), and The Great Wave (1931), a science fiction novel.

Membros

Resenhas

Gaird inveighs against the burden placed on women by what is now termed 'emotional labor' the constant demands on time and attention to keep a household running smoothly, meet social expectations and keep family members happy. Her heroine is a gifted musician, but her mother who has surrendered her own personality to the demands of motherhood is determined that she too should follow womankind's sacred duty. When a suitor claims to love her and to respect her opinions she consents to marry, only to discover that everyone: suitor, mother, sister-in-law, had assumed that she would abandon her high flown notions once married and a mother. She eventually breaks away to attempt a musical career, but is thwarted by events. A tale of frustration and resignation. If only events had rendered it quaint and obsolete.… (mais)
 
Marcado
ritaer | 1 outra resenha | Nov 16, 2019 |
An excellent novel of ideas about an idealistic feminist in fin-de-siecle Britain who struggles to maintain her independence and value in a suffocating marriage. There is a lot of philosophical talk and not much action (be warned!), but Hadria Temperley (nee Fullerton) comes off like a more self-conscious version of Mmes. Bovary and Karenina, one whose actions are motivated by an awakening political consciousness rather than by feelings of anomie and dissatisfaction. Not to undermine the impact of those other novels--they're canonical for a reason, and among my favorites--but this is probably the earliest novel I've read that really attacks marriage and patriarchy from a straightforwardly politicized angle. In that sense it reminded me of H.G. Wells's Ann Veronica, which was published a decade later--and even then, readers weren't ready to hear about the "New Woman." If you enjoyed the books I've mentioned here, I think you'd also enjoy The Daughters of Danaus.… (mais)
1 vote
Marcado
sansmerci | 1 outra resenha | Jul 25, 2008 |

Estatísticas

Obras
9
Membros
61
Popularidade
#274,234
Avaliação
3.2
Resenhas
2
ISBNs
25

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