Murray Burnett (1910–1997)
Autor(a) de Everybody Comes to Rick's
Obras de Murray Burnett
Associated Works
Etiquetado
Conhecimento Comum
- Data de nascimento
- 1910-12-28
- Data de falecimento
- 1997-09-23
- Nacionalidade
- USA
- Local de nascimento
- New York, New York, USA
- Local de falecimento
- New York, New York, USA
- Ocupação
- high school teacher
playwright
Membros
Resenhas
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Associated Authors
Estatísticas
- Obras
- 1
- Also by
- 8
- Membros
- 3
- Popularidade
- #1,791,150
- Avaliação
- 4.6
- Resenhas
- 2
The similarities, especially near the beginning, jump out at any reader who knows Casablanca - some of Burnett and Alison's lines survived unchanged to filming, which makes it a bit rough that they did not share in the Oscar for the screenplay. "As Time Goes By" was theirs. So were "Play it, Sam"; "We'll always have Paris" and "Of all the gin joints in all the towns in all the world..." At the same time, the film is a considerable improvement on the original. The battle of the anthems is there, but on stage the Germans are allowed to finish singing rather than be interrupted.
The character of Sam is crucially upgraded in the film as well. It's odd, because of all characters his lines are possibly least changed (well, him and Ugarte); but the fact that he is just called "the Rabbit" in the theatre script and speaks in dialect is pretty demeaning. Dooley Wilson invests the part with considerable dignity, but so do the other actors.
Even more crucially, the female lead of the play is not a twenty-something Scandinavian but a thirty-something American, Lois Meredith, who got to know Rick in Paris in 1937 when both were cheating on their respective spouses; she has now ended up with Laszlo, and explicitly sleeps with Rick to try and get the letters (whereas we are left wondering a bit about Ilsa in Casablanca). Laszlo too is less heroic, his dispute with the Germans being about money as much as politics. Luis Rinaldo (rather than Louis Renault) and Rick himself are also much less attractive characters; it's difficult to care as much about what happens to them as to their film counterparts. Also - complete spoiler - at the end, though Lois and Laszlo make their getaway, Strasser is not shot but instead arrests Rick for helping them escape, which makes one wonder what the point was.
It's a bit cruel to say (as one critic did) that Everybody Comes to Rick's is the worst play ever written, but it certainly isn't up to the mark of its descendant.… (mais)