J. M. Bernstein
Autor(a) de The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno (Literature and Philosophy Series)
About the Author
J. M. Bernstein is the University Distinguished Professor of Philosophy at the New School for Social Research. He is the author of many books, including Adorno: Disenchantment and Ethics, Against Voluptuous Bodies: Adorno's Late Modernism and the Meaning of Painting, and Recovering Ethical Life: mostrar mais Jrgen Habermas and the Future of Critical Theory. mostrar menos
Obras de J. M. Bernstein
Associated Works
Etiquetado
Conhecimento Comum
There is no Common Knowledge data for this author yet. You can help.
Membros
Resenhas
You May Also Like
Associated Authors
Estatísticas
- Obras
- 8
- Also by
- 3
- Membros
- 189
- Popularidade
- #115,306
- Avaliação
- 3.9
- Resenhas
- 2
- ISBNs
- 34
i) conceptuality is subjectivity; and that
ii) conceptuality is normative.
The problem we have is that our concept of the concept is inadequate, overly rationalized, no longer capable of motivating us normatively. Bernstein calls this the ‘simple concept.’ In its place, we have to start thinking in accordance with the ‘complex concept,’ which will motivate ethical action, because it will take into account the materiality of our world and the fact that we're animals.
As a work of ethical philosophy, Bernstein’s book is remarkable, but it also ends up making claims which completely contradict Adorno’s own arguments. For Bernstein, the problem is a non-identity of general and particular (our general concept does not motivate our particular actions); for Adorno, the problem is the identity of them. For Bernstein, we need to ‘re-enchant’ our world; for Adorno, the problem is that our world remains too enchanted. For Bernstein, bad reason is negative and critical; for Adorno, good reason is negative and critical. For Bernstein, reason is insufficiently authoritative; for Adorno, it is overly authoritative; and most importantly, for Bernstein “It is our reasoning that disenchants nature and creates the iron cage of modernity,” 138, while for Adorno – following Marx, rather than Weber – it is material social processes which lead to reification, fetishisation and alienation. In short, the danger of a Hegelian reading of Adorno is that it makes him into an idealist in the bad sense: it looks, on Bernstein’s reading, like the problem is with individual human beings, who have just made some intellectual mistakes. Bernstein was trying to get philosophers to pay attention to Adorno; but the Adorno they’re paying attention to is just a slightly more stylish version of themselves.… (mais)