Picture of author.

Dorothy Arzner (1897–1979)

Autor(a) de Dance, Girl, Dance [1940 film]

12+ Works 63 Membros 4 Reviews

About the Author

Includes the name: Dorothy Arzner

Image credit: Dorothy Arzner Credit: Unknown

Obras de Dorothy Arzner

Dance, Girl, Dance [1940 film] (1940) — Diretor — 16 cópias
Merrily We Go to Hell [1932 film] (1932) — Diretor — 10 cópias
Christopher Strong [1933 film] (1933) — Diretor — 8 cópias
Blood and Sand [1922 film] (1922) — Uncredited Director — 8 cópias
Pre-Code Hollywood Collection (1931) — Diretor — 6 cópias
Honor Among Lovers [1931 film] (1931) — Diretor — 5 cópias
Craig's Wife [1936 film] (1993) — Diretor — 3 cópias
The Bride Wore Red [1937 film] (2014) — Diretor — 2 cópias
First Comes Courage [1943 film] — Diretor — 1 exemplar(es)
The Wild Party [1929 film] — Diretor — 1 exemplar(es)
Anybody's Woman 1 exemplar(es)

Associated Works

Etiquetado

Conhecimento Comum

Data de nascimento
1897-01-03
Data de falecimento
1979-10-01
Sexo
female
Nacionalidade
USA
País (para mapa)
United States of America
Local de nascimento
San Francisco, California, USA
Local de falecimento
La Quinta, California, USA
Locais de residência
Hollywood, California, USA
Ocupação
film director
screenwriter
editor
teacher
film editor
Organizações
University of California, Los Angeles
Pasadena Playhouse
Directors Guild of America (first female member)
Pequena biografia
Dorothy Arzner was born in San Francisco, California, and grew up in Hollywood, where her father owned a famous restaurant that was frequented by actors. After high school, she enrolled at the University of Southern California with the dream of becoming a doctor. During World War I, she left school to serve in Europe with an ambulance corps. When the war ended, she decided against returning to her medical studies. The flu pandemic that swept the country left the movie business needing workers, and she got a job as a stenographer at Famous Players-Lasky Corporation, which later became Paramount Pictures. Soon she became a script writer, and was promoted to film editor within six months. She edited more than 50 films, including the 1922 classic silent film Blood and Sand starring Rudolph Valentino. Impressed by her technique, director James Cruze employed her as a writer and editor for several of his films, including Old Ironsides (1926).
Paramount gave her a chance to direct in 1927 with the film Fashions for Women, which became a hit. She directed the studio's first sound film, The Wild Party (1929), for which she had the technicians rig a microphone onto a fishing rod, creating the first boom mike. After making 11 feature films, Arzner left Paramount to become a pioneering independent director for studios such as MGM, RKO, United Artists, and Columbia. The films she directed during this period are her best known, and launched the careers of many actresses, including Katharine Hepburn, Rosalind Russell, and Lucille Ball. In 1936, Arzner became the first woman to join the Directors Guild of America. She left Hollywood in 1943. Afterwards, she made training films for the Women’s Army Corps; produced a radio program called "You Were Meant to Be a Star"; worked in theater; and taught filmmaking at the Pasadena Playhouse and later at UCLA.

Membros

Resenhas

Nicole Larsen is detested by her countrymen because they suspect she is collaborating with the occupying Germans. In reality she is working for the Norwegian underground, risking her life passing secrets to the resistance fighters. (fonte: imdb)
 
Marcado
MemorialeSardoShoah | Nov 19, 2020 |
A married bullfighter is seduced.

It's weird how little action there is for a movie about a bullfighter. And they do almost everything they can to make the protagonist unlikable.

Concept: C
Story: D
Characters: D
Dialog: C
Pacing: C
Cinematography: C
Special effects/design: C
Acting: B
Music: C

Enjoyment: C minus

GPA: 1.9/4
 
Marcado
comfypants | Oct 24, 2015 |

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Associated Authors

Estatísticas

Obras
12
Also by
3
Membros
63
Popularidade
#268,028
Avaliação
3.0
Resenhas
4
ISBNs
10

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