Hanan Al-Shaykh

Shahrayer’s wife betrayed him by taking part in massive orgies. She was seen by Shahrayer’s brother Shahaman who duly reported it. In an act of retribution, Shahrayer not only executed his wife but vowed to take a new untouched virgin each night, deflower her and execute her at dawn.

Until, of course, Shahrazad volunteered to become one of the doomed virgins. She mesmerized the king with her storytelling who agreed to let her finish her story before she was executed.

Stories within stories within stories. It’s a bit like the Noel Harrison song Windmills of your Mind: “like a circle in a spiral, like a wheel within a wheel - Never ending or beginning on an ever spinning reel”.

Author Hannan Al-Shayk chose to beautifully retell nineteen of these stories. According to Wikipedia she chose to leave the stories continuing while the traditional ending is that after one thousand and one nights the stories end, and Shahrazad presented Shahrayer with the three children she had borne during the telling of the tales.

A few quotes:

Foreward by Mary Gaitskill:”The action of the stories in One Thousand and One Nights is dark and full of cruelty – especially toward women who are constantly being accused of adultery and then murdered or beat up. But the animating spirit here is light and full of play, especially on the part of the female characters, who are consistently resourceful and witty”. P.x

Author’s Preface : “I heard that a girl in my class had Alf Layl wa layl, (One Thousand and One Nights) and I hurried with her to peer at a few volumes in a glass cabinet, next to a carved tusk of an elephant. The volumes were leather- bound, their titles engraved in gold. I asked my friend if I might touch one, but she said that her father always locked the cabinet and kept the key in his pocket, because he said he feared that if anyone finished the stories they would drop dead. Of course I didn’t know then, and neither did my friend, that the reason her father didn’t want any of the women of the house to read Alf Layla wa Layla was because of its explicit sexuality.” Pxvii

“I felt as if I had opened the door of a carriage which took me back into the heart of my Arab heritage, and to classical Arab language, after a great absence. I was astonished at how our forebears had shaped our societies, showing us how to live our daily lives, through these tales which were filled with insights and moral and social rules and laws, without the influence of religion, but derived from first hand experience and deepest natural feelings towards every living thing. The effect of Alf Layl wa layl was so strong and real that Arab societies shaped themselves around it; the names of its characters were embedded in our language, becoming proverbs, adjectives and eve modes of speech. I was in awe of the complex society the stories evoked, which allowed relationships between humans and jinnis and beasts, real and imaginary.” P xviii… (mais)