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Carregando... Life (original: 2010; edição: 2011)de Keith Richards (Autor), Johnny Depp (Narrador)
Informações da ObraLife de Keith Richards (2010)
   Ainda não há conversas na Discussão sobre este livro.  jj24 | May 27, 2024 |    ) gonzocc | Mar 31, 2024 | Full Review at: https://www.austcrimefiction.org/review/life-keith-richards ( ) austcrimefiction | Oct 4, 2023 |  ) tuckerresearch | Feb 10, 2023 | Richards first took an interest in music by listening to the radio with his mother, then Elvis flipped the switch for real and music became his obsession. The Stones started by teaching themselves to play Chicago blues from records, “unpaid promoters for Chicago blues.” Writing songs wasn’t the priority at first. “We were just playing American music to English people.” Their manager, Andrew Oldham, astutely made Mick and Keith start writing music of their own. We know how that went. At some point in the book you get the impression that Keith is a brilliant musician to the exclusion of most everything else, except for drugs for a long time. You can see he truly cherishes music, musicians and collaboration with the like-minded. It seems the money and fame are good, but not the point of it all. ( ) Hagelstein | Nov 2, 2022 |
 Troligtvis är det mesta sant då det gäller denna 68-årige gitarrhjälte. En sann bad boy med ibland överdriven smak för livets goda – och dåliga. Man behöver inte bläddra allt för många sidor innan den ena anekdoten radas upp efter den andra. [...] Den engelska originalversionen av boken ger en mer rättvis känsla av Keith Richards berättande. Svenska översättningen räcker inte riktigt till och den torra brittiska humorn blir inte lika framträdande. If you can remember the Sixties, blah blah blah. Boy can Keith Richards remember the Sixties, which is great. The real miracle is that he can remember the Seventies, considering that Keith’s poison was heroin, which would surely make performing in a high-energy band quite difficult, let alone raising two children, with a heroin-addicted Anita Pallenberg. So the very existence of this book is a marker against the ravages of time. It suggests that Richards’s memory is fresh in a way that his face isn’t. His memory has had a little help: there are letters he sent to relatives, and even a diary, as well as testaments from friends and garnering from other people’s memoirs. Goodness, there’s enough material to start an archive in somewhere like Texas, or for Andrew Motion to contemplate an official biography. For now, though, we have a lot of kind, perhaps even indulgent, transcription from James Fox. The survivor's story is one of the predominant narratives of our time. It usually traces a familiar arc from excess through despair to redemption, and, as such, allows us to enjoy the vicarious thrill of voyeurism within the framework of a cautionary or salutary tale. Life by Keith Richards, the most famous survivor of them all, breaks with this tradition insofar as it contains excess aplenty but hardly any despair and very little redemption. Keith did it all, had a hell of a good time, and survived to brag about it.  Mick Jagger has always looked -- will always look -- like Mick Jagger. But try to connect the glum schoolboy-guitarist of early '60s black-and-white pics with the Keith Richards of today. A heap of living and occasional bouts of near-dying have gone into that flayed, weathered, kohl-eyed visage, whose topography suggests a moonscape irrigated with Jack Daniel's. After half a century on the road, Richards has the face he deserves -- but not, it appears, the brain. Against all pharmaceutical odds, he has held on to a substantial portion of his own history and has turned it into the most scabrously honest and essential rock memoir in a long time....And yet here he is, defiantly alive, and defiant in every other respect, too, his language just as politically incorrect, his judgments every bit as summary. “Life” is way more than a revealing showbiz memoir. It is also a high-def, high-velocity portrait of the era when rock ’n’ roll came of age, a raw report from deep inside the counterculture maelstrom of how that music swept like a tsunami over Britain and the United States. It’s an eye-opening all-nighter in the studio with a master craftsman disclosing the alchemical secrets of his art. And it’s the intimate and moving story of one man’s long strange trip over the decades, told in dead-on, visceral prose without any of the pretense, caution or self-consciousness that usually attend great artists sitting for their self-portraits. PrêmiosDistinctionsNotable Lists
Referências a esta obra em recursos externos.
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 Google Books — Carregando...GênerosClassificação decimal de Dewey (CDD)782.42166092The arts Music Vocal music Secular Forms of vocal music Secular songs General principles and musical forms Song genres Rock songs History, geographic treatment, biography BiographyClassificação da Biblioteca do Congresso dos E.U.A. (LCC)AvaliaçãoMédia: (3.85)
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9
Keith Richards jokes are legion, but after listning to this audio book, it's no joke acknowleding that this guy has more lives than a darn cat. Car crashes, knife fights, gun skirmishes, not to mention all the drugs, booze and jail stints -- any one of these might have put an end to any one else, but this guy just keeps on rolling.
This is a long book -- and will be made longer still because if you're anything like me you'll want to pause the audio or set down the book to queue up all those great Stones songs mentioned, or to look up some of the crazy characters mentioned along the way (just who the heck is Uschi Obermaier and was she really that beautiful??) Personally, I found the book a bit too rambling at times, and much too detailed about the actual musical techniques (muscians might appreciate this; however, the specifics were lost on me).
What is clear, and where I gained a new appreciation for the man, is how committed Richard is to music. He's loved it since the first time he picked up a guitar and it's his life's passion. He seems to know as much about Mozart concertos as he does about Otis Redding. Despite the fame and fortune brought on by the success of The Rolling Stones, one definitely gets the sense in this book that if Richards had found a way to make a living simply playing music in the clubs without having a "day job" he would have been just as happy. For him it's always been about the music.
3.5 stars rounded up. (