Take The Phantom of the Opera, smash it into Beauty and the Beast, strain it through a gothic romance, and sprinkle a little bit of Hades and Persephone on top, and you get Nocturne, a lyrical novel that is fascinating in its imagery, but just a bit too plodding in its pacing to achieve its potentially great heights.

Nocturne centers on Grace, a twenty-something ballerina dancing in a failing ballet company in 1930s Chicago. Failing, that is, until Grace becomes the prima donna after receiving the sponsorship of a mysterious patron. It isn’t long until Grace is swept into the patron’s mysterious clutches, and she finds out that not everything as it seems.

What ultimately results is a book that is rather weak in its pacing and plotting, but absolutely nails the atmosphere and overall experience as it careens into its second half. This book won’t work for everyone (especially those who need strongly developed plot or characters) but for people who like to be swept up in the vibes and feelings of a book, definitely consider checking this one out. It is not a five-star read, but it was an experience I personally enjoyed, even with some of its major flaws.

The biggest issue with the book is its plot. Despite being only 250 pages, this book feels just a tad long for the amount of character and plot contained within it. While reading, I could only imagine how much stronger it would be as a novella and I wonder if the author felt the pressure to flesh out the story a bit to reach a “publishable” novel length. The book spins in circles a bit during the first 40% or so until we actually enter the home of the mysterious patron, The Master. This first chunk of the book is not bad by any means, but the world of ballet that Wees introduces to us is too small to take on that much of the book’s initial weight. This is a small story about a single young woman; very few of the other characters are named or meaningfully developed. While it was interesting to explore Grace’s psyche and dive into her emotional core both past and present, there are a lot of repetitive scenes, dialogue, and exposition in the first half of the book. As the reader you can feel the story trying to rip past this part of the plot, to get to the dark, gothic underbelly that the story has to offer, as the author tries to keep the plot caged and contained for far too long.

But if you are able to make it past the first part of Nocturne, you will be rewarded with an absolutely gorgeous look at the intersecting abuses of gender, class, and the arts, and the sense of loss that comes with unnecessary human suffering and death. Wees is a wonder with the pen, and she is able to deftly and cleverly lean into some of the Beauty and the Beast tropes while completely turning them on their head and creating something that is so uncanny (in the best way) because as the reader you feel like to recognize the pieces but the story also feels wholly new and original.

Having said that, however, this is still a Beauty and the Beast retelling, and there are going to be some inherent problems with that. All Beauty and the Beast retellings have a bit (or more than a bit) of a problem with issues of agency and consent of the “Belle” figure. Wees is able to subvert some of that by having Grace take a more active role in her own story (and by quickly moving through the “girl enslaved by the Beast” part of the plot), but there are still some uncomfortable elements of the romance part of the book. If you are a reader who is immediately turned off by the Beauty and the Beast romance premise, then I would not even bother with this book. No matter what, I did think the romance angle was relatively weak because of some of the issues of having the dark, brooding, mysterious love interest.

At the end of the day, the plot (including the romance) is not the main attraction for Nocturne. There are twists and turns in the second half of the story, but don’t be surprised if you see them coming from a mile away. Luckily, the story doesn’t overly rely on these twists. While some readers might be disappointed that The Master is not too much more than he appears (it is fairly obvious after he is introduced who he really is), the book is really a more thematic examination of the arts, power, classism, and the human experience of loss and mourning. Wees doesn’t revel in pulling the rug out from under the reader, but instead carefully examines the human condition in all its ills and foibles. As Grace gets pulled in deeper and deeper by her new mysterious patron, the plot really becomes secondary to the whirling atmosphere.

And this ultimately what Wees does best, and what makes her an author that I will be keeping an eye on moving forward. While the front half of the book can be a bit bland, the second half of the book becomes a gothic fever dream. As the reader I was transported in the Master’s mysterious home full of magical mirrors, mysterious rooms, and ultimately a whole new world to explore. Wees recreates in the reader the sense of instability, foreignness, and weightlessness that Grace feels as she explores her new surroundings. Sometimes confusing but never boring, the second half of the book is a lush fantasy setting reminiscent of the darkest of fairy tales. As the plot finally accelerates as it moves towards its conclusion, the reader continues to be kept off-kilter and Wees only puts us on our feet again in the final concluding moments.

Ultimately this book is more of a vibe than a “traditional” plot experience. This is what makes the first half relatively weak (where the vibes are bland) but what ultimately builds to a strong, atmospheric, and transportive second half.

Concluding Thoughts: A lush and lyrical Phantom of the Opera, Beauty and the Beast, and Hades/Persephone mashup, Nocturne tells the story of a young ballerina who gets swept up into a dark and gothic world by a mysterious patron. While a plodding first half keeps this book from being an all-time favorite, the gothic atmosphere and beautiful prose in the second half make up for it. Readers who like to get swept up in the vibes of the book and don’t mind a thin plot and some weak character arcs (outside of the main character, Grace) will find a lot to love here. This is not an all-time great book, but it does set up the author as one to keep an eye on in the future. ( )

Grace Dragotta (columbina, little bird) is a violin player and a ballerina. She has lived in Chicago on the North Side since she was born. In her early life, her father abandons the family, her brother Charlie is shot at age 16 due to his membership in a gang, and her mother dies. She is taken in by her aunt, but expected to support herself. To do that she plays the violin. She was taught the violin by an old violinist who lived in the same building. She had always wanted to be a ballerina and hung out by a studio to see the moves which she would practice at home. Eventually, she is taken in by Mistress, the head of the North Side Ballet Company. When the book begins, she has been with the company for 7 years and is appointed the company's new prima ballerina upon the retirement of Emilia, the current prima, to dance the Firebird. A patron (Master La Rosa) has paid the company a great sum of money for her to dance as prima and go to live with him after the performances are over. There begins an unconventional retelling of Beauty and the Beast along with a 20-year-long struggle between Sleep, who can control dreams, and Death, who leads souls to a city to keep them safe. This part is very fantastic and hard to follow exactly what is happening in some places. ( )

Nocturne is a dark fairy tale centering around Grace, a young prima ballerina. Grace was born during the 1918 Spanish Flu outbreak. As a child, her beloved older brother was killed in front of her and then she lost a cherished neighbor and her mother.

Most of her childhood Grace was surrounded by death. After Grace was left an orphan, she played her violin on the streets to make money and lived with an aunt. Grace had a dream of becoming a ballerina. She saved her money to buy a pair of ballet shoes and one day showed up at the ballet school and managed to make an impression on the Mistress at the school, who took her in for instruction.

Becoming a prima ballerina was the dream of her short life, but it’s later revealed that it comes at a heavy price. When Grace is promoted to prima ballerina, her life takes a turn she never dreamed could happen.

The story moves at a good pace, but the closer I got to the ending, things really began to be revealed very quickly. I was a bit pleased and surprised at the ending. Readers who enjoy fantasy and dark fairy tales will not want to pass up this book.

Many thanks to NetGalley and Random House Publishing Group—Ballantine for allowing me to read an advance copy and give my honest review. ( )

I received an advance copy via NetGalley.

Nocturne is a mood more than anything. Set in Depression-era Chicago, it follows Grace Dragotta, a young ballerina left orphaned. Ballet is her life, and when she makes prima ballerina, she's thrilled--then disturbed when she finds out she did so at the behest of a new sponsor for the company, the Master. He quickly orders that she live in his mystical estate in Hyde Park, where she must dance for him each week (in case it was unclear, this is not a healthy relationship) and she eventually finds out who and what he is.

The book is very gothic and descriptive. Some will find it overwrought and purple, but it is effective in creating an atmospheric piece. The story clearly draws from Phantom of the Opera, Beauty and the Beast, and Hades and Persephone. The biggest problem I had is that it doesn't recreate those into something innovative. The plot is incredibly transparent from early on. The Master himself never feels realized to me, either. I never understood why she was truly special--the sorrows in her life were nothing unusual, sadly--and Stockholm Syndrome seemed like the biggest reason she fell for him. Grace herself does little of her own volition until the end. ( )

One of the finest Gothic retellings I’ve ever read, bringing a new take on the Phantom of the Opera. The sweeping, dreamy world of 1930s Chicago hides horrors in its shadows.

Grace, an orphan, experienced a lot of suffering and death before she wins a place in a ballet school. Now, she’s striving to become prima and dance all the best parts, while the school struggles to find a patron. But when Grace gets chosen prima and finds a mysterious patron, she feels more dread than joy. Master De La Rosa drops hints that he’s been watching her for longer than she can imagine, and he wants all of her, not just the parts Grace is willing to give. The lyrical, nightmarish prose draws the reader - and Grace - into a world filled with all kinds of monsters. Grace will have to decide how hard she’s willing to fight to live.

I loved Grace's friendship with Emilia, the retiring prima donna. Both girls - isolated because of their differences - have a fierce friendship. Emilia tries desperately to reach and save Grace, even as her own wedding approaches.

Thank you to NetGalley and the publisher for the advance review copy of book in exchange for an honest review. ( )