It's really hard to believe that this is a debut novel; there is not a word out of place and as debuts go, it really is something of a masterpiece. From the very first page, with an actual extract from the Morning Post dated 1836, I had a real sense of time and place as I was completely immersed in the Victorian era.

We meet Sarah Gale as she is transported to prison after being convicted of the murder of Hannah Brown. Hannah was due to marry James Greenacre, the same man with whom Sarah had previously been living as his common-law wife. It was alleged that Sarah Gale and James Greenacre killed and dismembered Hannah Brown; a crime for which the punishment is hanging.

Edmund Fleetwood takes up Sarah's case when she petitions for mercy. Sarah gives very little away and Edmund finds it increasingly difficult to help her, but he is determined to find out the truth as this high profile case will be a massive boost to his reputation. As he digs into the case he finds inconsistencies and witnesses who have been missed but, as time goes on, we begin to question whether he wants to find out the truth or simply find evidence to exonerate Sarah.

Like pieces of a jigsaw, the puzzle slots together over the course of the book. I wasn't surprised to find out that Anna Mazzola works in criminal law, as all the evidence is meticulously laid out for us. We are given such a keen sense of the period, with vividly described sights and sounds, that I never once forgot that I was reading about Victorian London. I really have to give a special mention to something that really impressed me - Anna Mazzola has managed to write an authentic historical novel without one modern day swearword in sight. I often read historical novels where the f-word is used and it feels so out of place for the period. So thank you, Anna, for keeping it real.

A superb debut, based on a true story, The Unseeing is a captivating, authentic and realistic literary masterpiece. From it's wonderful dark, gothic cover to the disturbing tale within, this was an absolute delight to read. I could quite happily have remained ensconced within its pages in the Victorian era as I have to admit that I was hugely disappointed to return to my 21st century reality.

In the spirit of keeping it real, you can also read the transcript of the Edgeware Road Murder trial and James Greenacre's entry in the Newgate Calendar. This was a lovely extra touch from Anna Mazzola to be found in the Historical Note.

I received this book from the publisher, Tinder Press, via Bookbridgr in exchange for an honest review. ( )

Overwrought rendering of a Victorian murder with added characters as a way to examine the various ways in which women were regarded as guilty, regardless of what they had done or what was done to them. Contemporary echoes are hard to ignore. ( )

The big news story of early 1837 is the 'Edgware Road Murder' in which a dismembered body was found in pieces all over London. Found guilty and sentenced to death are James Greenacre and his common-law wife Sarah Gale. Whilst Grenacre admits disposing of the the body, the evidence against Gale is scanty and idealistic young lawyer Edmund Fleetwood is tasked with reviewing the case and making a recommendation as to whether the death penalty is appropriate.

Whilst this book is based on a true-life case, Mazola has chosen to weave a fiction around the few facts in evidence. The circumstances of the finding of the body, the trial and the sentences are fact but the motivation and many of the characters are fiction. Therefore this story fits somewhere between fact and fiction, I chose to read it as purely fiction - a novel inspired by a true event rather than a historical novel. When viewed in this way the book is actually a great read, the facts are horrible but the fiction creates a more romanticised view of motivations than was probably the truth. The book is well-researched, showing an understanding of life in late-Georgian London and the difficulties faced by women who are without the support of a man. This includes wives frustrated by the lack of household income, abandoned after an affair, the wife left alone after being deserted, and the family driven to poverty after the death of the father. Ultimately a sad but beautifully written novel. ( )

Ripped from the headlines of 1837! Based on the infamous Edgware Road Murder and the trial that followed in London, THE UNSEEING blends facts and fiction to bring to life this disturbing historical mystery.

Who killed Hannah Brown and why? Sarah Gale, poor seamstress and single mother of a small boy, sits in dismal Newgate Prison, waiting to hang for her part in the grizzly murder. But was Sarah unfairly convicted? Lawyer Edmund Fleetwood is sent to investigate. Edmund suspects she is not telling the whole truth about Hannah’s murder, which makes his job of saving her from the gallows very difficult.

This book was well researched and also gave readers an imaginative spin on the Edgware Road Murder. The author did a fantastic job conveying what life was like around the eve of the Victorian Era. It was difficult, to say the least, especially for a poor woman like Sarah. The pacing was slow in spots, and I was kind of annoyed that Sarah kept her secret from Edmund for so long. Clearly, he could be trusted, and Sarah had a child to consider too. I liked how the author had the crime and punishment play out in the end. It was fitting with the the actual events that took place.

Audiobook • 11 hrs, 26 mins • Liz Pearce, Narrator

I enjoyed Liz Pearce’s narration very much! There were several different characters from different classes, and her many accents were spot on and entertaining. I especially liked her voice for the awful prison guard Miss Sowerton. Her character was just as horrible as Newgate Prison itself!

Disclosure: I received a copy of this audiobook from the publisher in exchange for an honest review. ( )

1837, during the course of this book, the Victorian age will be ushered in, and a young woman and mother would be sentenced to hang. When body parts of a murders woman are found in various areas, a Christmas Eve murder would be uncovered. The body traced back to James Greenacre, his live in mistress, Sarah deemed culpable and sentenced to Newgate to await her execution date. But was she guilty. She refuses to say much of anything, claiming not to know what happened. Edmund, a young barrister is charged with uncovering her story, a charge which will uncover many secrets and have a profound effect on his own life.

Darkly atmospheric, richly described, this story based on a real life case, quickly drew me in and kept me turning the pages wanting to uncover the heart of this mystery. Using actual newspaper headlines from the time, court transcripts, the author add a few characters of her own invention to enrich and define this addictive story. The descriptions of the treatment and conditions of Bedlam were appalling. Justice back then was not exactly fitting to the crime, much, much, harsher than today. Our legal system has come a long way, thank goodness.

Reminds me a little of the atmosphere in Burial rites, another book about a convicted murderess.
An debut novel by a very capable author.

ARC from Netgalley.
Release date, February 7th by Sourcebooks Landmark. ( )