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Carregando... Four plays (edição: 1958)de Eugène Ionesco
Informações da ObraFour Plays de Eugène Ionesco (Author)
Modernism (139) Carregando...
Registre-se no LibraryThing tpara descobrir se gostará deste livro. Ainda não há conversas na Discussão sobre este livro. I'm not at a stage where I can understand even half of the meaning behind the madness in these plays. ( ) Absurdist theatre from one of the greatest masters. Ionesco treats us to the absurdity of human life with four plays that make almost no sense at all, and yet, at the same time, they do make sort of an absurd sense. The nonsensical use of words is reminiscent of Gertrude Stein; the use of strange characters in stranger situations of Samuel Beckett; the use of stark sets is worthy of the staunchest post-modernist, but the works are pure Ionesco, twisting as much absurdity as humanly possible into these four short plays. And in some cases, such as The Lesson, it is easy to believe he had a crystal ball, as some of the conversations were so eerily prescient; the attitude of the student toward mathematics and toward education in general is a picture-perfect portrayal of the millenial student. And I will read a long time before I find a line as sublime as "Philology leads to calamity". sem resenhas | adicionar uma resenha
The leading figure of absurdist theater and one of the great innovators of the modern stage, Eugène Ionesco (1909-94) did not write his first play, The Bald Soprano, until 1950. He went on to become an internationally renowned master of modern drama, famous for the comic proportions and bizarre effects that allow his work to be simultaneously hilarious, tragic, and profound. As Ionesco has said, "Theater is not literature. . . . It is simply what cannot be expressed by any other means.” Não foram encontradas descrições de bibliotecas. |
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Google Books — Carregando... GênerosClassificação decimal de Dewey (CDD)842.914Literature French French drama 1900- 20th century 1945-1999Classificação da Biblioteca do Congresso dos E.U.A. (LCC)AvaliaçãoMédia:
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