Zombie apocalypse stories are, at their heart, about the fear of social breakdown. A zombie doesn't have the internal struggle to contain their own demons that a vampire or werewolf does. At least not traditionally. But M.R. Carey's The Girl With All The Gifts isn't a usual zombie story. I guess it's technically a spoiler to say it's about zombies at all, but it's been out for long enough that most people are already familiar with the idea. It introduces us to Melanie, a girl undergoing a strange sort of schooling. Some of it is familiar: there's a class, a rotating group of teachers (Ms. Justineau is Melanie's particular favorite), lessons. But the children, when not in school, are locked in cells and collected for class by armed guards (like the harsh Sgt. Parks) who move them into special wheelchairs that restrict their movements at gunpoint. And the members of the class are sometimes wheeled into a medical lab, run by the ruthlessly efficient Dr. Caldwell, never to return.

That Melanie and her classmates are zombies (or "hungries", as they're called in the world of the book) is obvious fairly early on. But they aren't the typical kind: more like the vampire or werewolf, they're conscious, self-aware, capable of learning and some level of restraint. Obviously this isn't normal zombie behavior, not even in this world, and the lives of the students are being studied in the desperate hope that finding what makes them different could help lead to a vaccine for the fungal infection underlying the transformation into brainless and violent automatons. All of that is interrupted when the base is attacked by the regular kind of zombies, along with renegade humans that roam the wilderness because they refused to quarantine themselves in cities like most people. Melanie, Justineau, Parks, Caldwell, and a young soldier escape the chaos and set off for the city, but the world outside has dangers they might not be fully prepared for.

The heart of the story is the bond that forms between Melanie and Helen Justineau over the course of the book. Justineau is fond of Melanie from her time in the classroom, and Melanie all but worships the only person she's ever met who treats her with the slightest bit of kindness. As they're forced into closer quarters and more dire circumstances, that connection deepens and they become fiercely protective of each other in their own ways. The ways that Caldwell and Parks change (or don't, significantly) in their feelings about her in their turn reveals their true characters as well. There's an interesting, compelling adventure story with some quality world-building, but the book is really based in the relationships between people, how they view others, how they cope with the tremendous strain of living in a world so completely decimated by the unexpected.

My criticisms are mostly fairly minor: I think the book is a bit too long, some of the exposition is a bit too clunky, I wanted more of the past life of the characters to fill them out even further. I did appreciate that while the suspense level gets pretty tense, the gore level is relatively minimal for a zombie book (I'm not a fan of gore but found that what was there felt un-gratuitous). That being said, I don't know that I think this is a book that would be a match for everyone...if you're not into post-apocalyptic narratives, really can't deal with any gore at all, or want a super thriller, this probably won't be your preferred reading experience. But if you're willing to experiment a little with a book that might be outside your usual comfort zone and think a smart, character-driven take on zombies could be interesting, I'd definitely encourage you to read it. I liked it much more than I thought I would! ( )

Keep yourself in the dark on the details, and enjoy. I listened to the audiobook version, and the reader did a good job giving the characters their distinct voices. ( )

I like this book a lot. The plot pulled me in and kept me engaged throughout, and the characters were all interesting. I really like how the author took traditional zombie lore and tweaked it to make something completely new.

I read/listened to this book while I was on vacation so it took me forever to finish. The audiobook is very good. ( )

A solid entertainer written in a very good style. Don't expect astounding plot originality: the expert genre reader will probably anticipate most of the plot twists and even the ending. The sweetness is in the style, and in the focus on characters. This is particularly true of the first part. It's in the first chapters that I fell in love with the novel and the people who live (no pun intended) in its pages. This coup de foudre made me forgive the imperfections in the rest of the book, when characters slip from three full dimensions to interesting but flat posters of themselves with clichéed "development" or, in one case, to hardwired-villain, single-minded, one-dimensional caricature. Actually, I have to admit that it was this character who delivered one of the few surprises during its final appearance: I did not expect a certain dialogue to happen.
By the way, I appreciated the way the dilemmas posed by the starting situation were developed, without manicheism, giving to each character, even the more dislikeable, time and space to display their reasons and the human roots of their own points of view.
All in all an agreeable experience, to which the mastery of the narrating voice in my audiobook version contributed more than I had realised at first. She manages to bring all characters to life without falling into excess. You can always identify who's talking without clues, since their first line in the scene. Standing ovation. ( )

This is an extraordinarily good post-apocalyptic novel. I don't want to give too much away so I'll just say that even if genre fiction isn't your bag, read it. There is so much in here about what it is to be human, parent-child relationships, ethics in research... plus it's very well written. Loved it loved it loved it. ( )