David Bordwell (1947–2024)
Autor(a) de Film Art: An Introduction
About the Author
David Bordwell is the Jacques Ledoux Professor of Film Studies Emeritus at the University of Wisconsin-Madison. With Kristin Thompson, he is coauthor of Film History: An Introduction and the Film Arts: An Introduction and the blog Observations on Film Art, which can be found at mostrar mais http://www.davidbordwell.net/blog. mostrar menos
Image credit: By Wasily at Dutch Wikipedia - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2927670
Séries
Obras de David Bordwell
Perplexing Plots: Popular Storytelling and the Poetics of Murder (Film and Culture Series) (2023) 20 cópias
The McGraw Hill Film Viewer's Guide 2 cópias
"The Art Cinema as a Mode of Film Practice" 1 exemplar(es)
Film Art: An Introduction (twelfth edition) 1 exemplar(es)
Associated Works
Shared Pleasures: A History Of Movie Presentation In The United States (Wisconsin Studies in Film) (1992) — Prefácio, algumas edições — 32 cópias
Etiquetado
Conhecimento Comum
- Nome padrão
- Bordwell, David
- Nome de batismo
- Bordwell, David Jay
- Data de nascimento
- 1947-07-23
- Data de falecimento
- 2024-02-29
- Sexo
- male
- Nacionalidade
- USA
- Local de nascimento
- Penn Yan, New York, USA
- Local de falecimento
- Madison, Wisconsin, USA
- Causa da morte
- idiopathic pulmonary fibrosis
- Locais de residência
- Madison, Wisconsin, USA
- Educação
- State University of New York, Albany (BA|1969)
University of Iowa (MA|1972|Ph.D|1974) - Ocupação
- film scholar
professor
film theorist
film historian - Relacionamentos
- Thompson, Kristin (spouse)
- Organizações
- University of Wisconsin, Madison
Society for Cinema Studies
Cinema Journal (editorial board)
Membros
Resenhas
Listas
Prêmios
You May Also Like
Associated Authors
Estatísticas
- Obras
- 35
- Also by
- 3
- Membros
- 2,751
- Popularidade
- #9,326
- Avaliação
- 3.9
- Resenhas
- 14
- ISBNs
- 177
- Idiomas
- 12
- Favorito
- 4
The enlightening discussion of the new tools in the cinematographer’s bag was new since I last read it. I was surprised to learn that film itself still has its uses. Evidently, images involving billions of light-sensitive molecules have not been totally displaced by images made of millions of pixels. The discussion of the CGI techniques used in Gravity was especially helpful.
I also enjoyed the many trips to Bordwell’s blog, which the book encouraged. I do wish, though, that the blog included more links to film clips.
Some things have stayed the same: an insightful, detailed critique of Citizen Kane and an organizational structure that makes it problematic for someone trying to organize a course around it.… (mais)